Shattering the Empty Vessel: Absence and Language in Addie's Chapter of Faulkner's As I Lay Dying

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dc.contributor.advisor Grimwood, Mike, Committee Member en_US
dc.contributor.advisor Halpern, Nick, Committee Chair en_US
dc.contributor.advisor Thompson, Jon, Committee Member en_US
dc.contributor.author Massey, Kathryn Rebecca en_US
dc.date.accessioned 2010-04-02T18:05:28Z
dc.date.available 2010-04-02T18:05:28Z
dc.date.issued 2003-09-07 en_US
dc.identifier.other etd-05282003-122021 en_US
dc.identifier.uri http://www.lib.ncsu.edu/resolver/1840.16/1603
dc.description.abstract When Faulkner centers Addie Bundren's monologue both symbolically and literally in As I Lay Dying, her presence in the novel is complicated by the fact that she is also the embodiment of absence. Correspondingly, Addie's monologue works to expose a similar paradox, which lies at the core of language itself: she insists that each word is "just a shape to fill a lack" (72). Critics frequently recall this statement when they undertake an analysis of her theory of language. However, many perceive it to be a simple and straightforward linguistic argument while I believe that its philosophical implications are quite complex. Addie's theory of language reveals her struggle to come to terms with a concept that is so fundamental to our experience of the world that it is often overlooked by readers and critics alike: the concept of perceived absence, or what Martin Heidegger calls "being-missing." Heidegger's philosophy offers a valuable starting point for an exploration of Addie's chapter because his linguistic complexity, intricacy, and subversiveness parallel Faulkner's own writing in many ways. Even more significant, Heidegger describes "being-missing" as the point of intersection between the concepts of presence and absence while As I Lay Dying places Addie Bundren at exactly this metaphysical crossroads. Addie's monologue expresses her obsession with the perpetual 'loss' language produces every time the 'word' replaces the 'doing' of her own subjective experience. en_US
dc.rights I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to NC State University or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. en_US
dc.subject language en_US
dc.subject absence en_US
dc.subject Faulkner en_US
dc.subject "being-missing" en_US
dc.subject Heidegger en_US
dc.title Shattering the Empty Vessel: Absence and Language in Addie's Chapter of Faulkner's As I Lay Dying en_US
dc.degree.name MA en_US
dc.degree.level thesis en_US
dc.degree.discipline English en_US


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