“All I Did Was Stand in the Middle”: A Case Study of Pitch Contours and Boundary Maintenance in the Prosody of Tupac Shakur.
dc.contributor.advisor | Steven McDonald, Co-Chair | |
dc.contributor.advisor | Robin Dodsworth, Co-Chair | |
dc.contributor.advisor | Walter Wolfram, Member | |
dc.contributor.author | Selke, Daulton Joseph | |
dc.date.accepted | 2023-04-14 | |
dc.date.accessioned | 2023-04-18T12:30:23Z | |
dc.date.available | 2023-04-18T12:30:23Z | |
dc.date.defense | 2022-12-14 | |
dc.date.issued | 2022-12-14 | |
dc.date.released | 2023-04-18 | |
dc.date.reviewed | 2023-03-31 | |
dc.date.submitted | 2023-03-28 | |
dc.degree.discipline | Sociology | |
dc.degree.level | thesis | |
dc.degree.name | Master of Science | |
dc.identifier.other | deg33089 | |
dc.identifier.uri | https://www.lib.ncsu.edu/resolver/1840.20/40882 | |
dc.title | “All I Did Was Stand in the Middle”: A Case Study of Pitch Contours and Boundary Maintenance in the Prosody of Tupac Shakur. |
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